Galileo Galilei

Scientist, Author, Astronomer. Born February 15, 1564 in Pisa, the first child of Vincenzio Galilei, a merchant and musician and an abrasive champion of advanced musical theories of the day. The family moved to Florence in 1574, and that year Galileo started his formal education in the nearby monastery of Vallombrosa. Seven years later he matriculated as a student of medicine at the University of Pisa.
In 1583, while Galileo was at home on vacation, he began to study mathematics and the physical sciences. His zeal astonished Ostilio Ricci, a family friend and professor at the Academy of Design. Ricci was a student of Nicolo Tartaglia, the famed algebraist and translator into Latin of several of Archimedes' works. Galileo's life-long admiration for Archimedes started, therefore, as his scientific studies got under way. His new interest brought to an end his medical studies, but in Pisa at that time there was only one notable science teacher, Francisco Buonamico, and he was an Aristotelian. Galileo seems, however, to have been an eager disciple of his, as shown by Galileo's Juvenilia, dating from 1584, mostly paraphrases of Aristotelian physics and cosmology. Because of financial difficulties Galileo had to leave the University of Pisa in 1585 before earning his degree.
Back in Florence, Galileo spent 3 years vainly searching for a suitable teaching position. He was more successful in furthering his grasp of mathematics and physics. He produced two treatises which, although circulated in manuscript form only, made his name well known. One was La bilancetta (The Little Balance), describing the hydrostatic principles of balancing; the other was a study on the center of gravity of various solids. These topics, obviously demanding a geometrical approach, were not the only evidence of his devotion to geometry and Archimedes. In a lecture given in 1588 before the Florentine Academy on the topography of Dante's Inferno, Galileo seized on details that readily lent themselves to a display of his prowess in geometry. He showed himself a perfect master both of the poet's text and of the incisiveness and sweep of geometrical lore.